Platformed audiovisualities on the strategies by female independent musicians

This article discusses insights of a research regarding the platformed audiovisualities on strategies by female independent musicians Porto Alegre (Brazil) and Milan (Italy) during Covid-19 pandemic, considering their practices resistance in this period with usages an appropriation technology. Based qualitative using cartographic method (Canevacci, 1997), we mapped (composers, singers instrumentalists), videos, made interviews. Our analysis shows two relational tendencies, constellations which illuminate information gathered, making it possible to understand analyse means empirical data connection edition, interpretative process holds knowledge’s luminous sense: 1) narrative built divulgation steps; 2) network articulated audience other musicians. Considering strategies, our highlights artivism is present actions. With that, when actualising audiovisualities, being women into resistance, they might have also actualised do-it-yourself ethos both music scenes.